Following the lives and work of a team of expatriate journalists, it is stuffed to the gills with storylines (five), settings (dozens) and characters (upwards of 300). Fans in search of a cinematic escape will not be disappointed with its maximalist leanings, “The French Dispatch” seems tailor-made for those of us who spent the last two years wearily watching Netflix from home.
Max Fischer gains courage through friendship Steve Zissou grows up through the loss of a son the Tenenbaums hit rock bottom and then, finding love there, are transformed.Īnderson’s latest, “ The French Dispatch,” is no departure stylistically. All of them are, in one way or another, stuck-until something (or someone) arrives to shock them out of their complacency. The adult Tenenbaum siblings move back in with their mother in search of the security of childhood. The has-been Steve Zissou longs for the prime of his youth. The teenaged Max Fischer wants to become a permanent student at Rushmore Academy. Most everyone in Anderson’s 10 films longs for some sort of glory days gone by. Like any good storyteller, Anderson matches his mode to his subject his films are drenched in nostalgia, and his characters are stuck in the past. Like any good storyteller (as an auteur, Anderson writes as well as directs his films), Anderson matches his mode to his subject his films are drenched in nostalgia, and his characters are stuck in the past. But there is much more to Anderson’s aesthetic than a penchant for mid-century style.
#Wes anderson french dispatch budget movie#
These caricatures aren’t exactly wrong: Being a character in a Wes Anderson movie does make you more likely to own a typewriter, wear a fur coat and drown your ennui in The Kinks. Search for his name, and you will soon be lost in a deluge of parodies, homage and outright send-ups, all featuring his signature aesthetic: bold colors, retro accouterments and a rollicking 1960s soundtrack.
There exists in the popular imagination a misconception that the filmmaker Wes Anderson is a man of style over substance.
0 kommentar(er)
